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Top Collaborations

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Works

FOLLOW HER - trailer

THE BIG UGLY - trailer

FIRST MAN - spot

GEOSTORM - spot

GODLESS - trailer

LA LA LAND - spot

TED - spot   

GANGSTER SQUAD - spot

RESIDENT EVIL: RETRIBUTION - spot

THE BOOK OF ELI - spot  Telly Award winner

JOJO RABBIT - featurette

Golden Trailer Award winner: Best Comedy Spot

THE COLONY - trailer

THE SUNLIT NIGHT - trailer

EIGHTH GRADE - spot

WHEN WE FIRST MET - trailer

LOGAN - spot

MAD MAX FURY ROAD - spot

PROMETHEUS - trailer

MY WEEK WITH MARILYN - spot

UNSTOPPABLE - spot

THE ADDAMS FAMILY - featurette

MA - featurette

Content Creator

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What began as a deep dive into the creative alchemy of trailers, spots, and social media campaigns on TikTok quickly caught fire, expanding into a four-platform ecosystem of editors and movie buffs. This journey has given me a dual purpose: I get to "pay it forward" by sharing with peer editors and guiding next generation editors through the labyrinth of post-production, while demystifying the invisible art of the trailer for fans who want to know exactly how the magic is made.


Look for me on TikTok, Instagram, and YouTube:

@trailereditorpov

About Me

Pink Poppy Flowers

Editor. Storyteller. Cinema Obsessive. My career began in a darkened theater at age thirteen and evolved into a passion for and professional mastery of the craft. That lifelong obsession eventually led me from East Coast film schools to the high-stakes edit suites of feature films, television, and home entertainment in New England, New York City, and ultimately Los Angeles.


I believe that style is what propels a story forward, regardless of genre. My workflow is built on a "chameleon" philosophy: I adapt seamlessly to the needs of producers and clients without losing my creative voice. I don't just execute instructions; I partner with creators to set - and exceed - the highest possible standard for the final frame.

Editor. Storyteller. Cinema Obsessive. My career began in a darkened theater at age thirteen and evolved into a passion for and professional mastery of the craft. That lifelong obsession eventually led me from East Coast film schools to the high-stakes edit suites of feature films, television, and home entertainment in New England, New York City, and ultimately Los Angeles.


I believe that style is what propels a story forward, regardless of genre. My workflow is built on a "chameleon" philosophy: I adapt seamlessly to the needs of producers and clients without losing my creative voice. I don't just execute instructions; I partner with creators to set - and exceed - the highest possible standard for the final frame.

Contact

    2026 David Blanchard Editor

Pink Poppy Flowers
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